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But this wasn’t the film that introduced audiences to the Tramp.

Two days earlier, on February 7 1914, Kid Auto Races in Venice, California was released, a largely improvised short of just 20 shots, 572 feet, which was filmed in 45 minutes flat against the backdrop of a real-life rally of boys hurtling down a slope in soapbox cars: Sennett liked sometimes to use ready-made parades and sporting events as cheap settings.

(It is the one he wore in The Circus, which he started filming in November 1925, and was lent by the Chaplin family.) Clowns had worn distinctive costumes in film before, especially in France and Italy.

But this one was a key element in a much-loved, long-running cinematic character as well.

Chaplin, in his 1964 autobiography, recalls the key moment as happening when studio head Mack Sennett asked him to get into a funny outfit in a hurry — everything at Keystone was done in a hurry. However, on the way to the wardrobe, I thought I would dress in baggy pants, big shoes, a cane and a derby hat… But the moment I was dressed, the clothes and the make-up made me feel the person he was.

I began to know him, and by the time I walked on to the stage he was fully born…

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